A Study of Dramas Styled Absurd

Abstract

Through the writings of Samuel Beckett and Harold Pinter, this essay examines the ideas, methods, and relevance of the Theatre of the Absurd. Beckett explores existential issues, futility, and the cyclical nature of life in ‘Waiting for Godot’ and ‘Endgame’. Pinter uses vague narratives and fragmented dialogue in ‘The Birthday Party’ and ‘The Caretaker’ to depict alienation, identity crises, and power tensions. Absurd dramas depict existential angst, societal disillusionment, and the pursuit of purpose while challenging traditional theatrical conventions. They continue to be relevant in today's challenges, representing miscommunication, alienation, and the ridiculousness of human nature.