HUMAN-NATURE INTERACTIONS IN THE FICTION OF RUSKIN BOND: AN ECO-CRITICAL PERSPECTIVE

Abstract

This research paper explores the dynamic and interdependent relationship between humans and the natural world in the fictional works of Ruskin Bond through the lens of eco-criticism. In an era increasingly defined by environmental degradation and ecological imbalance, Bond’s literature provides a quiet but compelling voice that champions the sanctity of nature and the importance of coexistence. Set predominantly in the Himalayan region, his stories often depict lush forests, wild animals, and changing seasons—not merely as scenic backdrops, but as central elements that shape the lives and emotions of his characters. Using an eco-critical approach, the paper examines how selected stories such as The Cherry Tree, The Leopard, and Panther’s Moon portray the interaction between human beings and their natural surroundings. These narratives highlight key environmental concerns including deforestation, human encroachment into wildlife habitats, loss of biodiversity, and the psychological as well as spiritual impact of nature on human life. Bond’s writing style, characterized by simplicity and lyrical sensitivity, not only fosters an emotional connection with nature but also subtly advocates for environmental ethics. The paper argues that Bond’s fiction transcends aesthetic appreciation of the natural world and enters the realm of ecological consciousness. His work encourages readers to reflect on their role within the larger ecosystem and promotes an ethos of respect, balance, and sustainability. Through his nuanced portrayal of human-nature relationships, Bond emerges as a significant literary voice contributing to the discourse on environmental responsibility and eco-literature in India.